| ISBN |
9781839021398 |
| Sarjaandmed |
British screen stories
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| Märkused |
Sisaldab bibliograafiat ja registrit |
| Sisukord |
Editors' Introduction ; Introduction: The Three Ages of the Propaganda Film ; 1. Propaganda Film and the Interwar Avant-Garde - Close-up: So This is Britain ; 2. Propaganda Film and the Second World War ; 3. Propaganda Film and Colonial Development - Close-up: British Council Films ; 4. Propaganda Film and Postwar Propaganda - Close-up: The Information Research Department - Montage: Biographies of a New Britain - Close-up: London Line ; 5. Propaganda Film at the World Exhibitions - Close-up: Propaganda for the Audiovisual World ; 6. Propaganda Film and the Monarchy - Close-up: Education and the Propaganda Film ; 7. Propaganda Film and the Contemporary State - Montage: Economic Propaganda ; 8. British Cinema in the Era of Total Propaganda - Close-up: James Bond and the Secret Intelligence Film ; 9. The Propaganda Film and Humanitarian War ; Conclusion Recommended Reading ; A Propaganda Playlist |
| Märkused |
All art is propaganda', wrote George Orwell, ‘but not all propaganda is art.’ Moving from World War I to the ‘War on Terror’ and beyond,The Story of British Propaganda Filmshows how the emergence of film as a global media phenomenon reshaped practices of propaganda, while new practices of propaganda in turn reshaped the use of the moving image. It explores classic examples of cinematic propaganda such asThe Battle of the Somme(1916),Listen to Britain(1942) andAnimal Farm(1954) alongside little-known newsreels, ‘telemagazines’ and digital media initiatives, in the process challenging our understanding of propaganda itself, and its many diverse manifestations. Richly illustrated with unique material from the BFI National Archive, the book shows how central propaganda is to the development of British film, and how it has filtered our understanding of modern British history, from narratives of decolonisation to the celebration of pop culture and the meanings of the postwar consensus. In a contemporary moment so preoccupied with misinformation, malinformation and disinformation, Scott Anthony explains why the response to the ubiquity of the propaganda film has often turned out to be the production of ever more propaganda. |
| Märksõnad |
inglise
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filmid (teosed)
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propaganda
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filmiajalugu
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20. sajand
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21. sajandi 1. pool
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Suurbritannia
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| UDK |
791.2 (410) (091)
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